![]() What programs such as Finale or Sibelius interpret as midi data is far less controlled/detailed than other programs out there (like Sonar.) It doesn't matter if you're the best melodist in the world, or the best part-writer, or arranger - if it can't sound good, there's very little point.Īlso, it might interest you to know that it is easier and more efficient to write for orchestral samples using a piano roll instead of staff notation, so if you aren't doing this yet, you might want to try it out. Why? Because if your brass is no good then when you write for it you aren't getting the full effect of the music. If you have good winds and strings, you write mainly for winds and strings. I've often called this "catering" to your samples, and I do it all the time. Like all orchestral libraries, GPO has its strengths and weaknesses, and it is up to the composer using them to compose towards its strengths and avoid its weaknesses. It is up to the user to know what his or her sample library is capable of. ![]() I don't use GPO so I don't know its capabilities, however. ![]()
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